I use social media not only as a platform, but I deconstruct its visual language and utilize its limitations as a way of subverting the nature of virtual culture. I harvest personal memories and cultural references (both Iranian and American) as the raw material for creating hybrid characters and fabricated circumstances. with the use of technology, glitch, repetition, a maximal aesthetic, and due to the free-floating absence of the referent, my video-installations and performances feel strangely familiar yet foreign, seducing the viewer into a pleasurable state of disorientation and information fatigue.