Baxter St at the Camera Club of New York is proud to present Home/Land, an exhibition curated by Zoraida Lopez-Diago, Baxter St’s 2024 Guest Curatorial Initiative Recipient. Featuring works of photographers Samantha Box and Sheida Soleimani,  Home/Land explores themes of belonging, displacement, family, and the personal and geopolitical histories that shape their lives.  The landscapes, […]

Baxter St at the Camera Club of New York is delighted to announce Y’all don’t wanna hear me, you just wanna dance, an upcoming exhibition featuring new and recent works by Brooklyn-based artist Brandon Foushée. The presentation of autobiographical photographs and multimedia pieces will be on view from September 11– October 30, 2024.

Baxter St is proud to present A small patch of sand, yet it holds so much, a solo exhibition by Puerto Rican artist Kevin Quiles Bonilla, on view from June 20-July 31, 2024. Curated by Ezra Benus, Baxter St’s 2023 Guest Curatorial Initiative Recipient, the presentation explores themes of colonialism and diaspora.

Baxter St at the Camera Club of New York is pleased to announce Martha Naranjo Sandoval’s first solo exhibition in Manhattan, Flowering Wound. Naranjo Sandoval is one of three 2023 Baxter St Residents, and her culminating exhibition showcases 35mm photographs taken between 2014 and 2023.

Baxter St at the Camera Club of New York is pleased to announce, Correspondence: circulation, collaboration, community, a group exhibition in Baxter St’s Project Space at 128 Baxter St.

Baxter St at the Camera Club of New York is pleased to announce Pegeron, the first solo exhibition of films, video collages, paintings, and sculptures by Baxter St 2023 Resident Tatiana Florival. Works on view in this exhibition explore Florival’s personal family history, as it intersects with broader narratives about American history, particularly the Black experience in America and Black nostalgia.

Material Evidence proposes the extension of an image’s lifespan beyond the archive by introducing a conversation among multi-disciplinary lens based artists. With the works of Nazanin Noroozi and Esperanza Mayobre, Material Evidence assembles an array of works on canvas and paper alongside photographs and film footage that the artists use to vanish the original photographer’s presence, asserting their hand-applied revitalization of a historicized record.

Baxter St is proud to present It’s Never Too Late to Admit That You Love Me, a solo exhibition of photographs by Baxter St 2023 Resident Darryl DeAngelo Terrell. Using song lyrics as points of entry, these self-portraits explore desire and the identity and body politics of being deemed worthy of love. As a self-identified fat, black, queer, disabled person coming from a disenfranchised family in Detroit, Darryl renders themselves in scenarios of love and intimacy that often go unseen and uncelebrated by the public gaze.

Baxter St at the Camera Club of New York is pleased to present Eres Muy Hermosa, a solo exhibition of work by photographer Daniel Ramos. The presentation comprises eight large-scale portraits of working-class people in Monterrey, Mexico, and shines a light on people who are routinely overlooked or regularly go unnoticed. Displayed together in Baxter St’s Project Space (128 Baxter St New York, NY), which visitors regularly use as a place to work, connect, and contemplate, the large-scale portraits create an immersive feel, enveloping visitors as they inhabit the space.