The figurative images in Shimmer Shimmer feature Triburgo’s glitter-adorned nude form in familiar, gendered, art historical poses.

Joiri Minaya sees her work as a reassertion of self, in which she uses her cultural background as a base to explore and reconcile her experiences of growing up in the Dominican Republic and living and navigating the United States.

Marco Scozzaro’s THE BIG FLAT NOW explores the distinctions between various media and our expectations thereof.

Por Los Ojos De Mi Gente (Through the eyes of my tribe​) is a group exhibition that presents recent works by POC and Queer identifying lens-based artists.

Baxter St at the Camera Club of New York proudly presents multimedia artist Matthew Placek’s 4000k.

Betsy Kenyon’s ongoing work is an exploration of both traditional and invented darkroom techniques engenders the experience of form itself.

In The Unknown One (Reimaging the singular as a collection of One) artist Jasmine Murrell pays homage to the oldest members of her community.

Bowman’s work investigates the histories of people left out of the grand historical narratives with which we are more familiar.

This exhibition is an exploration of teenage bedrooms left partly untouched by the parents many years after their teenager moved out.