Los Angeles-based artist Kaucyila Brooke documents the history of lesbian bars in cities and towns across the United States and Europe. This ongoing project, The Boy Mechanic, has been exhibited at galleries and museums around the world throughout the past decade. Other Places includes Brooke’s two-sided offset poster originally produced for exhibition at the Museum Ludwig in Cologne, Germany, depicting photographs of the sites of 17 former and three current bars, along with narrative descriptions of her encounters with owners and patrons of these establishments. The photographs, videos, maps and text of the larger project create a historical record of lesbian bar culture and assert the significance of these social spaces and the recollections of those who participated in them.

Doug Ischar produced a series of photographs documenting a community of gay men who congregated on a Chicago beach in the mid-1980s. Two of the twenty-six images comprising Marginal Waters are included in the exhibition, and the entire series is reproduced in a catalogue published by Golden Gallery accompanying the first exhibition of prints in 2009. The images convey the relaxed intimacy and open expression of sexuality at the Belmont Rocks, one of the most visible urban gay beaches in North America nearly a quarter of a century ago. Omar Gámez similarly photographs environments where gay men gather to celebrate their physicality and to create bonds without inhibitions. His Natura series provides an insider’s view of a nudist retreat near Mexico City—a weekend meeting spot for men to engage in bare-fleshed communal revelries.

Embodiment: A Portrait of Queer Life in America by Molly Landreth reflects a cross-country journey over the course of more than half a decade photographing gays, lesbians, bisexuals and transgender people of various ages, races and economic backgrounds. Two portraits from this study of what it means to be queer in America today focus on Cruz, aka Jalessa, performing drag for the first time in a backyard in Columbus, Ohio, and Clare Mercy, a truck driver and musician perched on the back of her car in Bellingham, Washington. Berlin-based artist Kerstin Honeit, in Becoming 10, explores gender construction through a series of photographs in which she assumes the identities of nine half-siblings whom she has never met. The images appear as film stills of everyday urban scenes in which Honeit performs a cast of vivid male and female characters.

Guest Curator Tema Stauffer is a photographer, writer and curator for Culturehall, an online resource for contemporary art founded in 2008. She graduated from Oberlin College in 1995 and received an MFA in photography from the University of Illinois at Chicago in 1998. Her work has been exhibited at Jen Bekman Gallery and Daniel Cooney Fine Art Gallery in New York, as well as galleries and institutions nationally and internationally. Stauffer teaches at the International Center of Photography and Ramapo College, and co-taught a photography workshop at Toxico Cultura in Mexico City. She also writes a blog about photography, PalmAire, and contributes to Mana Contemporary’s Log. In 2010, she was awarded an AOL 25 for 25 Grant for innovation in the arts.